Nocturne
Characteristics
French for “night piece”
a short mood piece (typically for solo piano) evoking night, usually with a beautiful, embellished melody above a sonorous accompaniment of broken chords
slow, lyrical, and intimate in character
Listening
John Field, Nocturne No. 1 in E-flat Major
0:02 A section – Lyrical and cantabile melody played by the right hand; broken-chord accompaniment in the left hand
1:31 B section – Begins in the dominant key (Bb major)
3:13 A section – mostly the same as the first A section, with additional ornaments and running figurations
Listening
Chopin, Nocturne No. 2 in E-flat Major
0:02 A section – Cantabile, dolce, expressive melody played by the right hand in legato; waltz-like chordal accompaniment in the left hand
1:00 B section – begins with a descending sequential progression, played with rubato
1:31 A section – Same as the first A section, with additional ornaments
2:00 B section – Same as B section before
2:31 A section – Same as the first A section
3:03 Coda – Tonic pedal at the beginning; then the music becomes more agitated, dynamics rising to fortissimo (ff); an extended trill-like figuration over the prolonged dominant harmony; the piece ends peacefully in pianississimo (ppp)